It’s very simple after my own heart, but very powerful
find 2 cool series of chords for the Hammond
the low keyboard will play a bassline, the upper keyboard the soloist part
then drop an audio track that receives the VB-III output, so that you can record all variations you’ll create
If you don’t do that, the recording will include just the LAST pattern used, and this applies also to AAS Strum-GS and other plugins where you can change patterns on the fly, BTW
now run the 2 Scaler instances in sync, and change the patterns in the Scaler for solos, one after the other, starting from the slower patterns and going up to the faster ones
when you find a pattern that sounds well, stop there for a few measures, then go forward and backward to taste, then go on again
you cannot be wrong because the pattern will change exactly when one measure ends and the other starts, nevertheless the moment you select the new pattern
N.B: for the sake of fun don’t use regular measures, but rather change them often by ear and to taste
if a pattern is not fine go on quickly
if a pattern is too slow double its speed
this way you can made very complex and variable synth-lines, alternating slow and fast parts, that is very suitable for prog tunes
now it’s late and I am sleepy, so I’ll complete the tutorial tomorrow with files and pictures
I leave you with our daily surprise: a flock of migrating cranes
